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Katie Ré’s Right Brain

A studio visit with artist Katie Re Scheidt



Katie Ré Scheidt in her barn art studio working on one of her abstract oil paintings.

Photo by Adam Lerner

Katie Ré Scheidt remembers going home to visit her parents after working in finance right out of college, and her parent’s friends asking her quizzically, “You’re on Wall Street? But I thought you liked art?” They couldn’t reconcile the two.

While it’s commonly believed that art and math are mutually exclusive, and if you excel in one you can’t possibly have skills for the other, there are many exceptions to this rule: Katie is among them. She is able to toggle between these two ways of being - but not without some level of awareness of the switch from one to the other. “My husband claims he can see when I switch over into the artist’s mind.”

Sometime around middle school, Katie began signing her paintings with a different name—Kiki L’Hereux. It is a combination of her middle name, L’Heureux, french for “The Happy One,” and her childhood nickname. She says she was not looking for a pseudonym. 

“I think I did it because I recognized when you’re in the creative flow time passes and you don’t even know it—it’s very intense, meditative almost. I love it.” And so with this moniker, Katie makes space for that side of herself that segues into this state of flow. 

At 16, Katie studied classical figurative drawing for ten weeks with Cecil Gravès in Florence, Italy. This experience both established her style of working, as well as her commitment to making art. Becoming an artist, having a flourishing studio of her own, was a dream that soon became a plan. 

What do you do when you want to be an artist but want to live comfortably? You go work on Wall Street. She tells me the story of the life changing advice given to her by her father after she graduated college and started working as a trader. “My dad said, ‘You seem to enjoy finance, and it will yield a nice lifestyle. Why don’t you stay doing this and plan to get setup to make art a bit later?’” She says, “I thanked him later for that advice.” 

In 2010, roughly a decade later, with a growing family in Bronxville, and child whose infancy she was missing during the long days at the office, she left the New York based firm she’d been with for twelve years, through the losses and grief of 9/11. She and her husband started looking around Connecticut and found a home in Roxbury, with an historic barn on the property that had been built as a studio for an illustrator.

The year they moved, on her 35th birthday, she found herself staring at a brand new easel given to her by her husband, and a giant blank canvas, a gift from her parents. With two children in diapers, she knew she couldn’t start right away. Instead, she hung it over the mantelpiece for a year, as motivation, until she was ready. She then bought her supplies, signed up for classes at Washington Art Association, and started converting the barn across from the house into her studio. 

In the five years that Katie has had her studio she has developed a strong and painterly voice as well as a vigorous studio practice sustained by commissions. Many of her first commissions were portraits of children. Her highly adept, painterly impressions of faces and figures are rendered in oil on canvas in a modern, gestural, emotionally evocative style. She now has over 2,000 followers on Instagram, and is a big believer in the positive role social media can play for artists. 

“De Kooning had his first show when he was forty-one. I’m so psyched that I had a career on Wall Street and this is a second chapter.  I love that I get to do both.” 

Recently Katie’s work has undergone another transition, into abstraction. Large, gestural swathes of color in the manner of the abstract expressionists leave behind more literal depictions of the figure, becoming atmospheric and evocative of landscapes. Her sense of color and composition retain the confidence and beauty of her portraits, with a more universal and immediate appeal. “My studio art comes out of me for me; it is expiremental, expressive, and I believe very necessary. It also tends to sell because it’s a strong  point of view.” 14 of the 24 paintings sold at her recent exhibit, “A Point of Departure” at the Minor Memorial Library in Roxbury. 

Katie Ré Scheidt has shown at The Good Gallery in Kent, the Quogue Gallery in Quogue, New York, and other galleries and Art Associations throughout Connecticut. Her work is held in private collections throughout the country including New York, Connecticut, North Carolina, Chicago, and California.  

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View map »


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Cost: Free

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View map »


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View map »


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Website »

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More information

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Cost: Free

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View map »


Sponsor: Oliver Wolcott Library
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More information

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Cost: Free

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View map »


Sponsor: Byrde + the b
Telephone: 212 255 6247
Contact Name: Steven Miller
Website »

More information

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View map »


Website »

More information

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Cost: Free

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View map »


Sponsor: Gunn Memorial Library
Telephone: 186-086-87586
Contact Name: Sharon Morrissey
Website »

More information

Show More...
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Cost: Free

Where:
Oliver Wolcott Library
160 South St
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View map »


Sponsor: Oliver Wolcott Library
Telephone: 860-567-8030
Contact Name: Victoria Kiszka
Website »

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View map »


Sponsor: New Morning Market
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More information

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View map »


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Telephone: 203-263-4868
Website »

More information

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Cost: free

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View map »


Sponsor: Litchfield Farmers Market
Telephone: (860) 000-0000
Contact Name: Kay Carroll, Market Master
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Website »

More information

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Cost: free

Where:
Loft Gallery at The Smithy
10 Main Street
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View map »


Sponsor: Loft Gallery at The Smithy
Telephone: 860-868-9003
Contact Name: Susan Newbury
Website »

More information

Scott Bond is pleased to announce three events to be celebrated with an opening reception on Friday August 24 from 6-8pm at “Byrde + the b” a full service hair salon, art gallery and...

Cost: Free

Where:
Byrde + the b
10 Titus Road
Washington Depot, CT  06794
View map »


Sponsor: Byrde + the b
Telephone: 212 255 6247
Contact Name: Steven Miller
Website »

More information

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View map »


Website »

More information

Opening Reception: August 11, 4-6pm. This event is free and open to the public. MAQUETTE: The Art of the Model is an exhibition of maquettes or models by many of the sculptors currently...

Where:
Washington Art Association
Gallery 4 Bryan Memorial Plaza
Washington Depot, CT
View map »


Website »

More information

Washington Photographer Philip Dutton’s dramatic photos document The Chief Bigfoot Memorial Ride of 1990, a momentous event that helped commemorate the 100th anniversary of the Massacre at...

Cost: Free

Where:
Gunn Memorial Library
5 Wykeham Road
Washington, CT  06793
View map »


Sponsor: Gunn Memorial Library
Telephone: 186-086-87586
Contact Name: Sharon Morrissey
Website »

More information

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Cost: FREE

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Woodruff Lane
Litchfield, CT  06759
View map »


Telephone: 860-567-3871
Website »

More information

Show More...
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